Setting the standard for professional sound. A two-engineer company for production, mixing and mastering of electronic music, from a first idea to a release-ready master.
Pick a single stage or hand over the full record. Press Hire to set the options and book on the next page, or send a message first.
A finished, original track built from your idea, reference or demo — arrangement, sound design and live analog elements, delivered mixed, mastered and release-ready.
HireStem or full multitrack mixing, always finished with a master. Balance, depth and translation so your track sits right on every system, from earbuds to the main room.
HireThe final polish. Loudness, tone and consistency dialled in for streaming, club play and full-EP coherence.
HireProven on the world's biggest stages. Not once, and not by accident.
Music produced, mixed and mastered in this studio has been played and supported by these artists, and has reached these stages.
Before & After
Switch between the original and the finished master while the track plays. Both versions stay locked in time, so you hear the same moment either way.
Releases
With over a decade of real, practical and proven experience in electronic music, Oz specializes in production, mixing and mastering.
His productions, mixes, and artists using his sample and preset packs have reached labels like Armada, Spinnin' Records, Make The Girls Dance and Tomorrowland Music, played at stages like Ultra, Coachella, EDC, Tomorrowland, MDLBEAST and Laroc Club, and earned support from artists like Armin van Buuren, Keinemusik, HUGEL, KSHMR, Timmy Trumpet, SIDEPIECE, Lucas & Steve and many more.
Part of his catalog goes out under his own artist project (Evoxel). A larger part goes out under other artists' names.
If you have a track that's almost there, a mix that won't translate, or an idea you want built from the ground up, let's work together.
Known for powerful, musical mixes and masters, Aki combines technical precision with a carefully selected collection of high-end converters and analog equipment to bring every production to its fullest potential. From delicate classical performances to bass-heavy club records — always preserving emotion, dynamics, and tight low-end. Every project is meticulously refined to translate consistently across all listening environments, from everyday streaming to massive festival stages.
Manley's hand-built tube passive mastering EQ. The gold standard for broad, musical, three-dimensional tone shaping — the kind of analog depth plugins only imitate.
Black Box Analog Design's tube saturation. Pentode and triode warmth with transformer weight and harmonic density that make a master feel alive and expensive.
A mastering-grade monitor controller with pristine, reference-class internal conversion. We never compromise on what we hear — every decision in the room is made through this high-end listening chain, because a master is only as good as the monitoring behind it.
The studio's digital hub — RME's flagship interface with SteadyClock FS for rock-solid, ultra-low-jitter timing and legendary driver stability. Feeds the Prism digitally.
Mastering-grade AD/DA conversion. Prism's converters are a reference standard in the world's top studios — utterly transparent, precise and uncoloured.
SSL's analog master-bus processor — Vintage Drive saturation, Violet EQ air, HF compression and transformer colour to finish and glue the mix.
The legendary SSL bus compressor — the 'glue' behind decades of hit records. Cohesion, punch and depth pulled across the whole mix.
Crane Song's reference AD/DA with switchable triode and pentode harmonics, adding analog warmth and dimension on the way back into the box.
Pick a service, set the options and book the studio in a couple of minutes. No payment on the page. You get a confirmation with the full scope and a secure payment link first.
Hire the StudioChoose the service, tell us about your track, and pay securely through PayPal. Your booking is confirmed straight away, and we contact you to plan the next steps.
Music Production works differently: send a request and we reply privately with the details, terms and price.
With processing on, except anything on the master bus. Your track has to keep the identity and aesthetics you built as a producer; the job here is to polish it, not to redo your sound design.
The exception: processing you are not sure about, like excess reverb, saturation or compression you do not love. Remove it, and mention in the project notes what was removed. The more context, the better the decisions.
Mastering — up to 3 business days. Mixing — up to 7 business days. Music Production — typically 12 to 20 business days. Ghost production — agreed per project, depending on scope.
Times apply to the first version. When the studio is at higher volume than usual, slight delays are possible and you will be told upfront.
Reasonable revision rounds are included, and the track is not done until it is right. One ask: listen on several systems and collect all your notes into one list before sending.
Revisions that change the foundations are quoted separately, for example a new arrangement structure, or replacing kick and bass, which by nature requires a new mix and master. Those are billed separately after a quote.
Payment runs through PayPal, in US dollars, at checkout. You can pay with a PayPal account, or by card where PayPal offers it. We never see your card details. Prices shown in other currencies are estimates; your bank or PayPal converts the US dollar amount.
Got a project with special requests — a specific number of tracks, a specific number of mixes, or anything else outside the ordinary — or a service that isn't listed under "Choose the service"? That gets a custom quote. Get in touch and we'll work out the details with you.